Morris Louis: Method and Medium
Morris Louis (1912-1962) became one of the leading figures of Color Field painting, along with his contemporaries Kenneth Noland and Helen Frankenthaler. In his short yet prolific career, most of which he spent in Baltimore and Washington, D.C., Louis continually experimented with method and medium, manipulating large canvases in creative ways to control the flow and stain of his acrylic paints. His mature style, characterized by layered veils and rivulets of poured acrylic paint on untreated canvases, makes his paintings some of the most iconic works of Color Field Painting. Morris Louis was diagnosed with lung cancer in 1962 and soon after died at his home in Washington, D.C. on September 7, 1962. The cause of his illness was attributed to prolonged exposure to paint vapors.
The work featured here is part of what is known as the Veil series, named for its thin overlapping "veils" of acrylic Magna paint. This canvas is one of Louis's earliest experimentations with applying thin, quick-drying washes of color to unprimed canvas. The title may evoke the sense of shifting color and light that we are encouraged to perceive in this painting.
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