Quote of the Day
“A painter should begin every canvas with a wash of black, because all things in nature are dark except where exposed by the light.” - Leonardo da Vinci
“Sister Wendy Beckett has transformed public appreciation of art through her astonishing knowledge, insight and passion for painting and painters.” This set includes Sister Wendy's Story of Painting, Sister Wendy's Odyssey, and Sister Wendy's Grand Tour. Simultaneously delightful and scholarly--this is a must have for anyone interested in art history.
“A painter should begin every canvas with a wash of black, because all things in nature are dark except where exposed by the light.” - Leonardo da Vinci
Leonardo da Vinci’s famous work—The Last Supper—which can be seen in the Convent of Santa Maria delle Grazie in Milan, Italy—originally included Jesus’ feet. But in 1652, while installing a doorway in the refectory where the painting is on view, builders cut into the bottom-center of the mural, lopping off Jesus’ feet.
Both Leonardo da Vinci and Michelangelo were accused of performing dissections on living people in the pursuit of their anatomical studies. For this reason Pope Leo denied permission to de Vinci to study anatomy in the hospital in Rome. As it happens...the accusations were well-founded. But, both Leonardo and Michelangelo advanced medical science with their dissections.
Da Vinci’s famous work—Last Supper—which can be seen in the Convent of Santa Maria delle Grazie in Milan, Italy—originally included Jesus’ feet. But in 1652, while installing a doorway in the refectory where the painting is on view, builders cut into the bottom-center of the mural, lopping off Jesus’ feet.
In 2009, a lawsuit against Christie’s in New York was filed, by one Jeanne Marchig, when a drawing that the auction house sold for her (in 1998) turned out to be a work by Leonardo da Vinci (1452-1519). Marchig (who runs a U.K. animal welfare foundation) was "devastated" when she learned that the drawing, which sold as a nineteenth century German work, turned out to be a depiction of Bianca Sforza, daughter of the Duke of Milan, created by the great master himself. The origin of the “La Bella Principessa” has been formally identified in its provenance, thus confirming its authenticity.
The attribution to Leonardo da Vinci is based on the multispectral scanning of the Research Laboratory Lumiere-Technology. It was confirmed in 2009 by six art historians, Nicholas Turner, Carlo Pedretti, Alessandro Vezzosi, Mina Gregori, Cristina Geddo and Martin Kemp (who has written a book on this whole matter). Christie’s sold the work for £11,400 (a little over $19,500 today). Its value exceeds £100m ($150 million).
Marchig sued Christie's for breach of fiduciary duty, breach of warranty, negligence and negligent misrepresentation. But the lawsuit was dismissed because the statute of limitations requires that no more than three years lapse from the time the alleged infraction occurs. Marchig's attorney's argued that the statute of limitations should apply to the date when they learned the true authorship and value of the work. But the judge disagreed and ruled in Christie's favor. Ouch!
There is still much debate today over whether or not the attribution to Leonardo is correct—but as of now it definitely stands. There are some claims that the forensics even revealed Leonardo’s fingerprint on the drawing! But other art historians still argue that this could be a copy of a Leonardo work. One thing, however, is clear. The drawing definitely is of Leonardo’s era—and not from the nineteenth century. Christie’s should have know that. The problem is that thousands and thousands of paintings go through auction houses every year—and they simply don’t have the time or resources to perform “due diligence.” But…in this case…Christie’s was not held accountable for its failure to do so.