Like Us!

Worth Watching
  • Empires - The Medici: Godfathers of the Renaissance
    Empires - The Medici: Godfathers of the Renaissance
    A fascinating and highly entertaining look at one of the most important families of the Renaissance era--the Medici.
  • Sister Wendy - The Complete Collection (Story of Painting / Grand Tour / Odyssey / Pains of Glass)
    Sister Wendy - The Complete Collection (Story of Painting / Grand Tour / Odyssey / Pains of Glass)

    “Sister Wendy Beckett has transformed public appreciation of art through her astonishing knowledge, insight and passion for painting and painters.” This set includes Sister Wendy's Story of Painting, Sister Wendy's Odyssey, and Sister Wendy's Grand Tour. Simultaneously delightful and scholarly--this is a must have for anyone interested in art history.

  • Exit Through the Gift Shop
    Exit Through the Gift Shop
    When British stencil artist Banksy traveled to Los Angeles to work, he came across obscure French filmmaker Thierry Guetta and his badly organized collection of videotapes involving the activities of graffiti artists. Inspired, Banksy assembled them with new footage to create this talked-about documentary, and the result is a mind-boggling and odd film (so strange as to be thought a hoax by some) about outsider artists and the definition of art itself.
  • The Impressionists
    The Impressionists
    A dramatization of the Impressionist movement as seen through the eyes of Claude Monet. Highly entertaining and informative.
  • The Impressionists: The Other French Revolution
    The Impressionists: The Other French Revolution
    A very personal and revealing look at the personalities that created Impressionism.
« Quote of the Day | Main | Simone Martini: A Forerunner of Artistic Movements »
Monday
Mar072022

Caravaggio: Intense Expression

Caravaggio - The Incredulity of Saint Thomas - 1601-02 - Oil on canvas - 42 1/8 x 57 1/2 in. - Neues Palais, Potsdam (click photo for larger image)After a lackluster apprenticeship, Italian painter Caravaggio (Michelangelo Merisi) (c. 1572-1610) went to Rome. By 1592, he was causing scandals, not only because of his volatile character and temper, but because of his controversial painting methods.

Caravaggio rejected the lengthy preparations traditional in central Italy at the time, preferring instead to work in oils directly from the subject—half-length figures and still life—as practiced by the Venetians. He aimed to make paintings that depicted the truth and he was critically condemned for being a naturalist.

The heightened emotions of his narratives are given intense expression with dramatic chiaroscuro and powerful foreshortening.

Reader Comments

There are no comments for this journal entry. To create a new comment, use the form below.

PostPost a New Comment

Enter your information below to add a new comment.

My response is on my own website »
Author Email (optional):
Author URL (optional):
Post:
 
Some HTML allowed: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <strike> <strong>