Did You Know?
Marcel Duchamp created conceptual pieces and deliberately avoided conforming to any school of art, as he was more interested in parsing out notions of self-representation. One of his most unusual attempts at this is the creation of his female alter-ego. Named Rrose Sélavy (which sounds like the French phrase "eros c'est la vie," or "love is life"), she was the subject of many portraits and art pieces by Duchamp. She represented his belief in an ever-present undercurrent of sexuality in humanity, and her mysterious nature made her seem as complex a character as Duchamp himself.
Reader Comments