Francesco Clemente: Idiosyncratic and Arresting Images
Acting as a dark shaman of the post-modern era while reacting against the dominance of increasing abstraction in preceding generations, Italian artist Francesco Clemente (born 1952) helped reinvigorate painting by using recognizable human figures as his primary subject. In idiosyncratic and arresting images, he uses Neo-Expressionist techniques to represent late twentieth century people and their psychological conditions - fundamentally questioning what is real and what is of value to the human spirit.
By the 1980s, this resurgence had become part of an international return to the sensuousness of painting - and away from the stylistically cool, distant sparseness of Minimalism and Conceptualism.
"Collaboration is part of my work because the assumption of my work is that our identities are fragmented identities, that we're [each] not just one person but many persons.” - Francesco Clemente
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