Scenes from the Life of St. Nicholas
Ambrogio Lorenzetti (c. 1290-c. 1348) was an Italian artist who ranks in importance with the greatest of the Italian Sienese painters. Only six documented works of Ambrogio, apparently covering a period of merely 13 years, have survived. They include four scenes from the Legend of St. Nicholas of Bari, the Good and Bad Government wall decorations of 1337–39 (discussed elsewhere on this site), and the signed and dated panels of the Presentation of Christ in the Temple (1342) and of the Annunciation (1344). The Sienese school was dominated by the stylized Byzantine tradition, which also embodied the dramatic quality of the Tuscan sculptor Giovanni Pisano and the naturalistic approach of the Florentine painter Giotto. Ambrogio’s work foreshadowed the art of the Renaissance.
The panel featured here came from the church of St. Procolo in Florence, where it was recorded by Giorgio Vasari. It was probably painted as side wing of a triptych which had a figure of St Nicholas in the central panel (now disappeared). Lorenzetti likely painted it during a second visit he made to Florence between 1327 and 1332. It’s also possible that the panels made up a tabernacle door.
As the story goes, St. Nicholas gave a dowry to three virgins. An impoverished nobleman was ready to prostitute his three daughters, because no one would accept them in marriage without dowries. To save them from such a dishonorable fate, St Nicholas threw each of them a bag full of gold through their window, on three consecutive nights.
St. Nicholas is also said to have performed miracles. In the top scene of the first panel (featured here), the Saint brings a dead boy back to life.
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