Warhol Themes: The Cult of Celebrity and Death
Marilyn Monroe died in August 1962. In the following four months, Andy Warhol (1928-1987) made more than twenty silkscreen paintings of her, all based on the same publicity photograph from the 1953 film, Niagara. Warhol found in Monroe a fusion of two of his consistent themes: death and the cult of celebrity. Even as Warhol canonizes Monroe, he reveals her public image as a carefully structured illusion. Redolent of 1950s glamour, the face in Gold Marilyn Monroe is much like the star was herself—high gloss, yet transient; bold, yet vulnerable; compelling, yet elusive. Surrounded by a void, it is like the fadeout at the end of a movie.
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