Expert Says Michelangelo Drew Inspiration from Brothels to Paint Frescoes in Sistine Chapel

The ceiling of the Sistine Chapel in the Vatican City. AP Photo.The Renaissance genius artist Michelangelo Buonarroti drew inspiration from various Italian brothels to paint some of the figures that form part of the frescoed panels of the Sistine Chapel, assured specialist Elena Lazzarini in an article published today in “Corriere della Sera”.

One of the frescoed panels of the Sistine Chapel was inspired by brothels according to the expert. Italian renaissance artists frequently went to what’s called “stufa”, public bathrooms similar to a brothel where prostitution was practiced often, to study models that would later be represented in their work.

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French Scientists Crack Secrets of Mona Lisa

AP – This recent undated photo provided Friday July 23, 2010, by the CNRS (National Center of Scientific Research)By ANGELA DOLAND, Associated Press Writer

PARIS – The enigmatic smile remains a mystery, but French scientists say they have cracked a few secrets of the "Mona Lisa."

French researchers studied seven of the Louvre Museum's Leonardo da Vinci paintings, including the "Mona Lisa," to analyze the master's use of successive ultrathin layers of paint and glaze — a technique that gave his works their dreamy quality.

Specialists from the Center for Research and Restoration of the Museums of France found that da Vinci painted up to 30 layers of paint on his works to meet his standards of subtlety...

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Restored Leonardo Masterpiece Goes Back on Display at the National Gallery in London

The Virgin Mary is seen from the artwork "The Virgin on the Rocks" by Leonardo da Vinci (1491-1508), at the National Gallery in London July 14, 2010. An 18-month project to restore Leonardo da Vinci's "Virgin of the Rocks" revealed the Renaissance artist likely painted the entire work himself rather than, as previously thought, with the help of his assistants. REUTERS/Suzanne Plunkett.

LONDON.-  Leonardo da Vinci’s Virgin of the Rocks is to go back on display in the National Gallery (afternoon of 14th July) after an 18-month restoration project which started in November 2008.

The decision to restore the painting came after several years of intensive study of Leonardo’s work and that of his Milanese associates and assistants – the so-called leonardeschi – from within the Gallery’s collection. The experience gained from examining these pictures reinforced the view that 'The Virgin of the Rocks' could not be appreciated as originally intended. The cleaning process began because some varnish that was applied in 1948–9 was particularly unstable and prone to yellowing. Fine cracking in that varnish, and atmospheric dirt which had become absorbed in its waxy surface, meant that the ability of the varnish to fully saturate the picture had become seriously compromised. As a result the subtlety of shading and the sense of space were markedly reduced, and the impact of this great work significantly lessened.

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