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  • Empires - The Medici: Godfathers of the Renaissance
    Empires - The Medici: Godfathers of the Renaissance
    A fascinating and highly entertaining look at one of the most important families of the Renaissance era--the Medici.
  • Sister Wendy - The Complete Collection (Story of Painting / Grand Tour / Odyssey / Pains of Glass)
    Sister Wendy - The Complete Collection (Story of Painting / Grand Tour / Odyssey / Pains of Glass)

    “Sister Wendy Beckett has transformed public appreciation of art through her astonishing knowledge, insight and passion for painting and painters.” This set includes Sister Wendy's Story of Painting, Sister Wendy's Odyssey, and Sister Wendy's Grand Tour. Simultaneously delightful and scholarly--this is a must have for anyone interested in art history.

  • Exit Through the Gift Shop
    Exit Through the Gift Shop
    When British stencil artist Banksy traveled to Los Angeles to work, he came across obscure French filmmaker Thierry Guetta and his badly organized collection of videotapes involving the activities of graffiti artists. Inspired, Banksy assembled them with new footage to create this talked-about documentary, and the result is a mind-boggling and odd film (so strange as to be thought a hoax by some) about outsider artists and the definition of art itself.
  • The Impressionists
    The Impressionists
    A dramatization of the Impressionist movement as seen through the eyes of Claude Monet. Highly entertaining and informative.
  • The Impressionists: The Other French Revolution
    The Impressionists: The Other French Revolution
    A very personal and revealing look at the personalities that created Impressionism.

Entries in Realism (16)

Tuesday
Mar122013

Winslow Homer

Winslow Homer - The Rustics, 1874, oil on canvas, private collection (click photo for larger image)Winslow Homer - The Lookout- All's Well, 1896, oil on canvas, Museum of Fine Arts, Boston (click photo for larger image)Winslow Homer (1836-1910) was an American painter whose works, particularly those on marine subjects, are among the most powerful and expressive of late 19th-century American art. His mastery of sketching and watercolor lends to his oil paintings the invigorating spontaneity of direct observation from nature. His subjects, often deceptively simple on the surface, dealt in their most serious moments with the theme of mankind’s efforts to establish his humanness in the face of an indifferent universe. In his later years, however, he abandoned the human subject entirely--and focused on land- and seascapes.

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