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    Empires - The Medici: Godfathers of the Renaissance
    A fascinating and highly entertaining look at one of the most important families of the Renaissance era--the Medici.
  • Sister Wendy - The Complete Collection (Story of Painting / Grand Tour / Odyssey / Pains of Glass)
    Sister Wendy - The Complete Collection (Story of Painting / Grand Tour / Odyssey / Pains of Glass)

    “Sister Wendy Beckett has transformed public appreciation of art through her astonishing knowledge, insight and passion for painting and painters.” This set includes Sister Wendy's Story of Painting, Sister Wendy's Odyssey, and Sister Wendy's Grand Tour. Simultaneously delightful and scholarly--this is a must have for anyone interested in art history.

  • Exit Through the Gift Shop
    Exit Through the Gift Shop
    When British stencil artist Banksy traveled to Los Angeles to work, he came across obscure French filmmaker Thierry Guetta and his badly organized collection of videotapes involving the activities of graffiti artists. Inspired, Banksy assembled them with new footage to create this talked-about documentary, and the result is a mind-boggling and odd film (so strange as to be thought a hoax by some) about outsider artists and the definition of art itself.
  • The Impressionists
    The Impressionists
    A dramatization of the Impressionist movement as seen through the eyes of Claude Monet. Highly entertaining and informative.
  • The Impressionists: The Other French Revolution
    The Impressionists: The Other French Revolution
    A very personal and revealing look at the personalities that created Impressionism.

Entries in New York School (1)

Friday
Jun262020

“Grand Street Brides” - Grace Hartigan

Grace Hartigan - Grand Street Brides - 1954 - Oil on canvas - 72 9/16 × 102 3/8 in. (184.3 × 260 cm) - Whitney Museum of American Art , New York (Click Photo for Larger Image)American New York School painter Grace Hartigan (1922-2008) began her career as an Abstract Expressionist. “Grand Street Brides” is one of Hartigan's best-known pieces—and illustrates her  decision to abandon total abstraction in favor of adding recognizable elements into her compositions. Her experiments in this vein, as well as her investigation of the old masters, both set her apart from, and irritated, other Abstract Expressionists.

Depicted here are mannequins from a bridal shop window in Hartigan’s Lower East Side neighborhood. “At this time in Europe, aristocratic women were seen as commodities to exchange among powerful families in order to forge financial or political unions between them.” Hartigan’s brides emphasize that reality. She also appreciated how shop windows frame the scene and "provide a shallow space, and define the back plane." Complexity is achieved through the layering of shapes and rendered objects.