Quote of the Day
"Somehow, in painting I try to make some logic out of the world that has been given to me in chaos.” - Grace Hartigan
“Sister Wendy Beckett has transformed public appreciation of art through her astonishing knowledge, insight and passion for painting and painters.” This set includes Sister Wendy's Story of Painting, Sister Wendy's Odyssey, and Sister Wendy's Grand Tour. Simultaneously delightful and scholarly--this is a must have for anyone interested in art history.
"Somehow, in painting I try to make some logic out of the world that has been given to me in chaos.” - Grace Hartigan
"Somehow, in painting I try to make some logic out of the world that has been given to me in chaos.” - Grace Hartigan
Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler — Five Painters and the Movement That Changed Modern Art is an extensive book authored by Mary Gabriel that everyone is talking about these days. It focuses on artists Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler—and their contributions to modern art. Find out a bit more about the work in an excellent New York Times review written by Jennifer Szalai.
We’ll be looking at all of these artists on What About Art? (and we already have features on some of them).
The work featured here today is by American artist Grace Hartigan (1922-2008). Although she was a second-generation Abstract Expressionist—she is often associated with the first-generation members of that movement, such as Pollock and deKooning. Her work certainly embodies the bold and gestural experimentation exemplified by those artists.
“Hartigan's best-known works combine the abstraction of her early work with recognizable images from everyday life or motifs from art history, particularly from the Renaissance and Baroque periods. The distinction between abstraction and figuration is often blurred by her experimental brushwork and lack of shading.” (The Art Story)
One interesting bit of trivia is that The Persian Jacket needed a bit of touch up by the artist after it was brought to MoMA by Museum Art Director, Alfred Barr. The artist apparently rushed right down with her oil paints and was able to make the required corrections in about a half-hour!