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  • Empires - The Medici: Godfathers of the Renaissance
    Empires - The Medici: Godfathers of the Renaissance
    A fascinating and highly entertaining look at one of the most important families of the Renaissance era--the Medici.
  • Sister Wendy - The Complete Collection (Story of Painting / Grand Tour / Odyssey / Pains of Glass)
    Sister Wendy - The Complete Collection (Story of Painting / Grand Tour / Odyssey / Pains of Glass)

    “Sister Wendy Beckett has transformed public appreciation of art through her astonishing knowledge, insight and passion for painting and painters.” This set includes Sister Wendy's Story of Painting, Sister Wendy's Odyssey, and Sister Wendy's Grand Tour. Simultaneously delightful and scholarly--this is a must have for anyone interested in art history.

  • Exit Through the Gift Shop
    Exit Through the Gift Shop
    When British stencil artist Banksy traveled to Los Angeles to work, he came across obscure French filmmaker Thierry Guetta and his badly organized collection of videotapes involving the activities of graffiti artists. Inspired, Banksy assembled them with new footage to create this talked-about documentary, and the result is a mind-boggling and odd film (so strange as to be thought a hoax by some) about outsider artists and the definition of art itself.
  • The Impressionists
    The Impressionists
    A dramatization of the Impressionist movement as seen through the eyes of Claude Monet. Highly entertaining and informative.
  • The Impressionists: The Other French Revolution
    The Impressionists: The Other French Revolution
    A very personal and revealing look at the personalities that created Impressionism.

Entries in Gino Severini (2)

Tuesday
Jan082013

Gino Severini - A Modern Synthesizer

Gino Severini - Italian, Festival in Montmartre, 1913, Oil on canvas - 35 x 45 3/4 in. (88.9 x 116.2 cm) - Bequest of Richard S. Zeisler, 2007.281, Art Institute of Chicago (click photo for larger image)Gino Severini was an Italian Cubist/Futurist Painter, 1883-1966, who synthesized the styles of Cubism and Futurism. Futurism refers to a modern art movement originating among Italian artists in 1909. The movement lasted until the end of World War I--but only caught real hold in Italy. The Futurists hoped to wrench Italy from what they saw as her languid, retrospective dream of an antique and Renaissance past into the shrill, dynamic realities of the industrial present. To accomplish this aim, they needed to develop a style as aggressive and contemporary as their new urban environment. Thus, futurism was a celebration of the machine age, glorifying war and favoring the growth of fascism. Futurist painting and sculpture were especially concerned with expressing movement and the dynamics of natural and man-made forms. Some of these ideas, including the use of modern materials and techniques, were taken up later by Marcel Duchamp (French, 1887-1968), as well as by the Cubists, and the Constructivists.

Friday
Jan292010

A Work of Futurism...PLUS!

Gino Severini, Abstract Rhythm of Madame M.S., c. 1915, oil on canvas, 83x65 cm, Mizne-Blumental Collection, Tel Aviv Museum of Art

The Museum of Tel Aviv holds numerous works by important Italian artists, several of which are presently on exhibit there. Gino Severini is represented by one of his famous Futurist paintings from c. 1915, featured here. Severini (1883-1996) was an Italian painter, born in Cortona. In 1901 he moved to Rome, where he met painters Umberto Boccioni and Giacomo Balla (who gave him lessons in Divisionism). Severini moved to Paris in 1906, and forged friendships with such figures as Picasso, Apollinaire, and Max Jacob. While living in Paris, however, he remained in close contact with his Italian associates, and joined the Futurist movement in 1910 . Although much of his Futurist work remains influenced by Divisionism, from c. 1912 forward his work also shows a strong awareness of Cubism, a movement he highly recommended to his fellow Futurists. Futurism developed primarily in Italy, in around 1910. Its objective was to express the energy and values of the machine age.