Everett Shinn: A Multi-Talented American

Armor of Infante Luis, Prince of Asturias - 1712 - Signature probably refers to Jean Drouart (French) - Steel, gold, brass, silk, cotton, metallic yarn, paper - H. 28 in. (71.1 cm) - Metropolitan Museum of Art, New YorkEverett Shinn (1876-1953) became one of a group of artists known as The Eight, the foundation of the Ashcan School (formally known as The New York Realists). You can read more about the movement and its practitioners here on What About Art?

“Catching the drama of news events with speed and accuracy, Everett Shinn began his career as an artist-reporter for a Philadelphia newspaper in the early 1890s. Born in Woodstown, New Jersey, Shinn became a successful illustrator and one of the new realist painters who, at the turn of the century, looked to the modern urban world for their subjects.” (National Gallery of Art)

William Glackens: A Rejection of Academic Dictates

William Glackens - Hammerstein’s Roof Garden - c. 1901 - Oil on linen - 29 7/8 × 24 13/16 in. (75.9 × 63 cm) - Whitney Museum of American Art - New York, NY (click photo for larger image)American artist William J. Glackens (1870-1938) created paintings of street scenes and middle-class urban life that rejected the dictates of 19th-century academic art and introduced a matter-of-fact realism into the art of the United States.

Although he did not identify himself as part of the Ashcan School (discussed elsewhere on What About Art?), Glackens' attention to ordinary, modern, urban subjects and their unidealized presentation connects him to the core tenets of that movement. In documenting his world, he also incorporated the style of the Impressionists (particularly Renoir), as well as their interest in contemporary, urban leisure.

“Hammerstein's Roof Garden captures a fashionable entertainment venue, immediately placing the viewer in a specific and contemporary urban space. Such roof gardens were popular spots during the summer, when theaters were often closed due to the stifling heat. Recently opened by theater legend Oscar Hammerstein in 1899, this locale, the Paradise Roof Garden, was a popular destination for the sort of spectacular which we see here.

Positioning the viewer as a member of the audience, we see a row of fashionably dressed women who watch a pair of tightrope walkers. The costumes of the acrobats provide a jolt of color in an otherwise muted tonal palette. With this limited scene, Glackens gives us a sense of the immense space of the theater, its popularity, its clientele and its performances. Providing respectable entertainment, the presence of unchaperoned young women points to the modernity of this scene (previously, such unescorted adventures would have been unthinkable), further emphasized by the recognizable architecture and real-life locale.” (The Art Story) 

An Ashcan Schooler

William Glackens - La Villette - 1895 - Oil on canvas - Carnegie Museum of Art, Pittsburgh (click photo for larger image)William James Glackens (1870-1938) was an American artist whose paintings of street scenes and middle-class urban life rejected the dictates of 19th-century academic art and introduced a matter-of-fact realism into the art of the United States. Glackens was associated with the Ashcan School—also known as the New York Realists.